Category: Crime

The Wife and the Widow

10/4/2020

Christian White: Affirm Press $16.99

KATE Keddie’s husband John is missing.
Only hours earlier, with their daughter Mia, Kate waited for an excruciatingly long time in the arrivals area of Melbourne International Airport for a man who was not on his nominated flight home from a week-long conference in London that it has now emerged he was never even registered to attend.
Baffled and disillusioned, Kate is searching desperately for clues as to what, exactly, has been unfolding in John’s apparently parallel life for the past few months.
The situation isn’t helped by the fact John’s parents are behaving oddly. His father is bluntly critical of the marriage and his mother is claiming to have had a religious vision that confirms John is not yet dead.
Abby Gilpin’s husband is also absent – not physically, in Ray’s case, but certainly on an emotional level.
Abby is trapped in a numbingly mundane routine of restocking shelves and counting out change at the supermarket on Belport Island, a popular holiday hotspot off the southeastern coast of mainland Australia, accessible by ferry from the Bellarine Peninsula near Geelong. Belport’s off-season population is claustrophobically sparse compared to the hordes of high-season visitors who flood across the water to take up temporary residence in summer.
Ray has barely touched his wife in weeks – or is it months? Abby knows something feels off in their relationship but rather than raise the subject directly with Ray opts to bury herself in her other great passion: taxidermy.
The common denominator between the troubled couples is the island: John Keddie spent time there as a child but has been reluctant as an adult to make the most of the house he and Kate own in a quiet corner of this laid-back community.
Can the superficially blissful Keddies’ and the openly distant Gilpins’ lives somehow be intertwined?

The Calendar Man | The Twelfth Night

29/11/2019

Christoffer Petersen: Aarluuk Press $5.99 each Kindle e-books

DANISH-BASED author Christoffer Petersen’s Christmas offering to fans of Arctic noir is a pair of seasonally themed novellas designed to be enjoyed progressively across the Advent–New Year period.
The action in the first of the two releases, The Calendar Man, begins on December 1 and continues in bite-sized chapters that can be read in less than 15 minutes per day throughout the lead-up to Christmas, culminating on Christmas Eve, when Scandinavians (including Greenlanders) celebrate by sharing meals and opening gifts together. It is the literary equivalent of the 24-part Julekalendere programs broadcast on television every year and the internationally popular windowed wall calendars.
The second picks up the storyline on January 5 and runs for 48 hours to end early on the morning immediately after Twelfth Night, or Mitaartut.
Both feature a cast of central characters introduced in Petersen’s previous series, set in the same location a quarter of a century earlier: police colleagues Petra ‘Piitalaat’ Jensen, Gaba Alatak, Aqqa Danielsen and Atii Napa and politician’s daughter Pipaluk Uutaaq from Greenland Crime, and Iiluuna Mattikalaat, a troubled child from Arctic Short Stories.
Even in 2042 serious crime is rare in Greenland – so rare that when an Advent calendar is found on a mutilated body in the capital, Nuuk, Commissioner Jensen is recalled to duty despite being on extended leave at the time.
First Minister Uutaaq is taking no chances with law and order in her rapidly developing city. A vote on independence from King Frederik’s Denmark is looming and nothing – not even a cryptic and very public corpse – can be allowed to derail the democratic process.
Juxtaposing the elements of a contemporary crime thriller with the warmth of traditional festivities in a remote, otherworldly setting, Petersen serves up a glimpse into a culture as exotic and mysterious to outsiders as it is rich and welcoming.

A Wolf at the Gate

6/9/2019

Lexie Conyngham: The Kellas Cat Press $5.44 Kindle e-book

BARELY have Ketil Gunnarson and the coastal raiding party he’s helping to lead landed on English soil when a stranger appears at their riverside camp with a message from the remote Norse settlement Orkney. Earl Thorfinn, no less, is requesting Ketil’s immediate return to the islands.
Struggling to cling to power in the midst of would-be usurpers’ relentless attacks against him, Thorfinn has welcomed the appearance of an influential religious delegation from Colonia in Saxony – a northwestern region of continental Europe that nearly a thousand years later will be part of Germany.
Ketil’s arrival back at the earl’s stronghold in Birsay a few days later is ill-timed, however.
With his Icelandic offsider, Lambi, he has scarcely had time to resume feasting in the familiar hall of Thorfinn and his wife Ingibjorg when a death is reported. A neighbour of Ketil’s childhood friend Sigrid has been found dead – and the presence of an axe protruding from his skill suggests it wasn’t accidental.
Suspicion is cast in a multitude of directions, not least of all at Lambi: a foreigner with an unknown past who has been accused of stealing a valuable drinking cup from a fellow Norseman.
Further complicating an already-uncomfortable situation, one of the Saxon visitors is an acquaintance Ketil had been hoping to avoid seeing again.
In the second instalment of her Orkneyinga Murders series, Scottish author Lexie Conyngham overlays a cast of complex characters on the real-life backdrop of 11th-century Orkney as described in detail in one of Iceland’s best known Old Norse sagas.
Both Thorfinn and Ingibjorg are documented historical figures, first introduced to Conyngham’s readers in Tomb for an Eagle, and the tumbledown-stone remains of their quarters and wider community at Birsay can still be visited, injecting an added dash of factual fascination to this fast-moving mystery.

The Shadow Writer

21/6/2019

Eliza Maxwell: Amazon $23.99

WITHIN a split second Gracie Thacker’s entire family ceased to exist, obliterated by a vicious teenaged murderer. Now, even Grace herself – “America’s sad little sweetheart” – has disappeared, leaving in her place an unrecognisable adult alter ego: creative writing graduate Graye Templeton.
As a nine-year-old eyewitness called on to testify in a high-profile trial, Grace was forced into hiding to escape a morbid public fascination with her tragic loss.
More than a decade later she has emerged as an anonymous, unremarkable young woman with no discernible past. Friendless and working as a teaching assistant in New York City, Graye is delighted to strike up an unlikely chance acquaintanceship with Laura West, a stylish, poised literary blogger whose husband David is a bestselling novelist.
When the Wests move to an island in Texas it seems the budding relationship between the two women will wither, but months later fate intervenes when Graye learns that a famous author in the same locality is recruiting. Seeking a professional reference from David she visits the couple and is quickly talked into working for Laura instead.
It’s Graye’s dream appointment: learning the publishing ropes from someone with influence, respect and a sharp eye for the ‘next big thing’ in books.
Sorting through the piles of unsolicited manuscripts delivered to Laura she decides to take the bold step of slipping a story of her own into the mix – and then waiting to hear her employer’s opinion of it. For Graye the pressure is almost unbearable. After all, her career prospects hinge solely on Laura’s reaction to the words on those pages, crafted on an old-fashioned manual typewriter and polished over and over through multiple drafts.
At the same time Graye is reacting to news of the killer’s release from jail. What will this mean for the future she has planned?

Devil's Fjord

31/5/2019

Davie Hewson: Severn House £20.99

WHEN a novel opens with the words “He was on the roof of their little cottage mowing the thick and umber turf” it’s safe to assume the story’s not set in London, New York or Tokyo.
Lawn-clad houses are commonplace in the Faroe Islands, however, adding a special dash of other-worldliness to the work of a crime writer seeking an exotic backdrop for an equally unpredictable plot.
In fictitious Djevulsfjord on the real-life island of Vágar, the community’s tightly intertwined fishing families subsist on ever-dwindling ocean harvests. Summer is almost at an end by the time Djevulsfjord makes its first substantial catch of the season: a pod of “blackfish”, or pilot whales.
As locals band together to divide up the result of the traditional grind, Benjamin and Jónas Mikkelsen skulk on the periphery, Benji towed along in the wake of his trouble-making younger brother.
District sheriff Tristan Haraldsen and his wife Elsebeth are foreigners on the west coast of Vágar, newly arrived as sea-changers from the relative metropolis of the Faroese capital, Tórshavn. Tristan’s job is to ensure the grind adheres to government regulations – a role that marks him as an outsider employed to observe while the rest of the village participates.
When the inevitable altercation occurs it’s 10-year-old Jónas who in a split-second of fury attacks, slashing Tristan with a whaling knife before fleeing with Benji onto the nearby mountain, Árnafjall.
Almost immediately the treeless moors, razor-edged crags and jagged cliffs seem to devour the pair, leaving no trace to be found by searchers.
The boys’ mother, Alba, waits in anguish. The previous year her own sibling, Kaspar, was killed by a fall from Árnafjall, and two other men either died or disappeared in unexplained circumstances at about the same time.
For such an insignificant hamlet Djevulsfjord is fast amassing an unnervingly long list of casualties.

The Island

3/5/2019

Ragnar Jónasson: Michael Joseph $32.99

ON AN isolated volcanic plateau in Iceland’s Westman Islands, surrounded by open ocean and populated ordinarily by only seabirds and sheep, four childhood friends reunite.
It’s a bittersweet time for the group, gathered now to honour a fifth member of their teenage-years posse, Katla, killed at the age of 20 exactly a decade earlier while spending a quiet weekend at her family’s wilderness cabin.
Katla’s younger brother Dagur is finally taking steps to overcome the horrendous event and the cascade of misery it triggered. The siblings’ father, accused of having murdered Katla, committed suicide while in custody and their mother, distraught, slipped further and further into malaise until Dagur had no choice but to admit her to a care home, where she continues to languish.
Now living alone, Dagur welcomes the chance to spend a few days away with Benedikt, Klara and Alexandra – three people with whom he grew up in a small satellite town on the fringe of Reykjavík.
It’s been 10 years since Inspector Hulda Hermannsdóttir lost her own daughter, Dimma, and eight years since her husband, Jón, died. Hulda’s career has stalled, leaving her trapped in a too-small flat barely paid for by a meagre mid-level police salary, and her prospects of gaining a much-needed promotion are all but non-existent.
Tragedy for the reminiscing foursome brings an unexpected change of fortune for Hulda, however, when a body is found below an intimidatingly sheer cliff near their holiday cottage.
As the senior officer on duty when the incident is logged she has first call on the case. Could this be an opportunity for Hulda to demonstrate her true ability at last?
This is the second book in Ragnar Jónasson’s Hidden Iceland trilogy: a prequel set a quarter of a century before The Darkness. The final instalment is scheduled for release next year.

Tomb for an Eagle

1/2/2019

Lexie Conyngham: The Kellas Cat Press $18.61 (paperback) or $1.41 (ebook)

NEARLY a thousand years after his death, Thorfinn Sigurdarson – aka Thorfinn the Mighty, Earl of Orkney – and his wife Ingiborg have been resurrected from their Viking graves.
One of the greatest power-couples of the 11th century is at the centre of historical novelist Lexie Conyngham’s new work of heavily fact-based fiction.
Thorfinn rules over Orkney from his base at Birsay on the north-western tip of the archipelago’s biggest island. It’s a turbulent time for Thorfinn, among the earliest Norse Christians and a man who has completed a personal pilgrimage to Rome; a rival earl, his nephew Rognvald, has been ambushed and slaughtered on Thorfinn’s orders and Rognvald’s surviving loyalists are percolating trouble. The settlement at Birsay – the de facto Orcadian capital – is on alert.
When widowed woolworker Sigrid finds the corpse of a stranger hidden under rocks in a nearby gully a quest to unearth the victim’s identity begins. Where had he come from, and when and why was he killed?
Ketil Gunnarson, formerly of Heithabyr in Denmark and more recently of Norway, has just landed in Orkney claiming to be a trader of carved wooden drinking cups – a rare and precious commodity in a region without trees.
It soon emerges, however, that Ketil – a childhood acquaintance of Sigrid’s – is not a merchant at all but one of Thorfinn’s most trusted assassins, hired for the attack on Rognvald and now back in Orkney many months later on a mission of his own.
Tomb for an Eagle fleshes out accounts of actual people and events recorded in Orkneyinga Saga, a section of the world-famous Icelandic chronicle written on parchment in the late 1300s, Flateyjarbók.
This is the first title in Conyngham’s planned Orkneyinga Murder series. The second book, A Wolf at the Gate, is scheduled for release later in the year.

Liv

18/1/2019

Mikaela Bley: Scribe $32.99

FOR Swedish TV journalist Ellen Tamm, a few days at her family’s estate on a relatively isolated island about an hour’s drive outside Stockholm is supposed to form part of an emotional rehabilitation plan.
Crime reporter Tamm is still reeling from the after-effects of her entanglement in the disappearance and death of a young girl, Lycke (the subject and title of author Mikaela Bley’s debut novel), in the city earlier in the year and that case’s reawakening of memories of her own twin sister’s drowning when they were children.
For the past several months has been unable to work. In fact, she is barely holding her life together, leaving the rent on her apartment unpaid, eating poorly if at all and closing herself off from her friends and colleagues.
On her way to the island, however, Tamm drives straight into a tiny satellite community in upheaval. A woman’s body has been found in a vehicle that morning and police have an area of the roadway cordoned off.
Should Tamm continue on as scheduled to spend the allocated time being fussed over by her controlling mother, or should she instead give in to her professional instinct and start digging for information on this new victim? She is, after all, the first member of the media to have arrived on the scene, even if her presence there is due to sheer chance.
As details of motorist Liv’s identity are unravelled Tamm discovers a world of anti-social behaviour, unconventional relationships, public deception and personal betrayal that pushes her ever-deeper into the darkness of self-doubt, mistrust and fear. Has she made an error of judgement from which she will never be able to recover this time?
A psychological thriller with deeply disturbing themes at its heart, Liv inhabits the unseemly underbelly of the outwardly picture-perfect existence of middle-class Swedes.

Northern Light

21/12/2018

Christoffer Petersen: Aarluuk Press $24.99

CONSTABLE Hákan Sigurdsson is faced with an unpalatable choice: volunteer to join the world’s least-established multinational law enforcement task force, Polarpol, based at sea in the Arctic, or be dismissed from his position with the Icelandic police by none other than his own sister, Reykjavik’s commissioner.
To be fair, it’s not an ideal situation for Jenny Sigurdsdóttir, either. Since his marriage disintegrated her brother has been out of control – angry, disengaged, bitter and, increasingly often, at least half drunk.
For his daughter’s sake, if nothing else, Sigurdsson must refocus. Perhaps this unexpected posting will become his salvation.
At the same time, English IT genius Adrian Seabrook has a secret he’s desperate to spill. Seabrook has decided that a high-profile cybersecurity conference in Reykjavik will provide just the global audience he’s been seeking.
Not everyone is as eager as Seabrook to have the information shared, however.
As the date of his planned public revelation nears, the would-be whistleblower finds himself under attack. Assassination attempts are made; two of his closest aides are killed.
Among those with Seabrook in their sights are Byrne Cantrell and Edie Teal, a couple whose passion for each other is exceeded only by their passion for creating human carnage. Together they are one of the deadliest combinations for hire anywhere on the planet, determined to complete one last assignment before packing away their concealed weapons and settling down to a life of baby-raising bliss. The hit on Seabrook will be their spectacular finale.
Polarpol has barely been commissioned when suddenly Sigurdsson and his new colleagues – one representative each from Canada, Alaska and Russia – are called into action.
Now, Seabrook’s chances of leaving Iceland alive hinge solely on the efficacy of Polarpol’s untested team.
Northern Light is the first book in a series derived from Christoffer Petersen’s Greenland thrillers featuring Sergeant Petra ‘Piitalaat’ Jensen.

The Year of the Farmer

7/12/2018

Rosalie Ham: Picador Australia $32.99

NORMALLY there’s nothing even vaguely amusing about irrigation cutbacks, drought-crippled farms, disintegrating communities, dog-mauled livestock and neighbours fighting not only each other but in some cases even themselves.
Rosalie Ham can add a wickedly satirical twist to any storyline, however, generating wry smiles and sly sniggers with her caricatures of stereotypically flawed individuals who under any other circumstance would be irretrievably irksome.
Take, for instance, Ham’s cross-section of residents in a fictitious Riverina town whose once-robust river is now barely flowing.
Mitch and his wife Mandy are at odds, hurried into marriage by an imagined pregnancy after Mitch’s high-school sweetheart, Neralie, decided to broaden her horizons – and love-life – by moving to Sydney.
Lana and Jasey, on the other hand, share the same boyfriend: Kevin. It’s an unconventional arrangement that gives the gossips plenty of inspiration, but as far as these best friends are concerned, having half of Kevin is preferable to having all of any one of the area’s supposedly eligible men. They have a point.
So dire is the outlook that when a new water authority representative sweeps onto the scene in his cycling lycra, legs shaved and receding hairline combed over, it’s not only the young singles who suddenly develop a taste for break-of-dawn power-exercising.
But Stacey’s mission is more about retrieving water – and in so doing padding his commission-based takehome pay – than winning female hearts. His partners in the plan, Glenys and Cyril, are the scourge of the district, shunned for controlling the river’s flow either too tightly or not nearly tightly enough, depending on where individual priorities lie.
At the heart of it all is an overarching mystery: who now owns local pub? It’s been sold, they all know, and renovations are in progress, but what will this mean for their one remaining reliable watering hole?

The Lost Man

9/11/2018

Jane Harper: Macmillan Australia, $32.99

LIFE is tough in the isolation of Queensland’s Channel Country – particularly for a single farmer trying to make a go of it almost entirely on his own.
As a social outcast Nathan Bright knows the predicament all too well. Nathan has spent the past decade ostracised by his neighbours and former friends for a split-second error of judgement he will never manage to undo, banished from the local pub, the general store and every form of community gathering.
Few people are surprised, then, when they hear one of Liz Bright’s boys has been found dead in a remote, arid paddock, having left the security and supplies of his vehicle to wander out into the sun-baked savannah seemingly by choice.
It does shock listeners, however, that the dehydrated corpse is that not of Nathan but his brother Cameron: two years younger and happily married with two healthy daughters, in charge of the family’s station and seemingly beloved by everyone within a thousand-kilometre radius of tiny Balamara.
Distraught, Cameron’s widow cannot accept that her husband would have willingly done such a reckless thing. He had grown up on the property; he understood perfectly the danger of exposing a human body to the Outback’s searing mid-summer heat.
Now it’s up to Nathan and his teenaged son – visiting for a few days from Brisbane, where Xander lives with his mother after his parents’ agonising divorce – to unravel for the benefit of the survivors the hows and whys of Cameron’s gruesome death.
While this is not an Aaron Falk police thriller, fans of Jane Harper’s writing with a memory for detail (or those who reread The Dry before picking up this third novel) might recognise an unexpected link in this story of regret and atonement to Falk’s Kiewarra, a tiny Wimmera town crippled by a toxic blend of distrust and drought.

Wild Fire

28/9/2018

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