Category: Atlantic

Devil's Fjord

31/5/2019

Davie Hewson: Severn House £20.99

WHEN a novel opens with the words “He was on the roof of their little cottage mowing the thick and umber turf” it’s safe to assume the story’s not set in London, New York or Tokyo.
Lawn-clad houses are commonplace in the Faroe Islands, however, adding a special dash of other-worldliness to the work of a crime writer seeking an exotic backdrop for an equally unpredictable plot.
In fictitious Djevulsfjord on the real-life island of Vágar, the community’s tightly intertwined fishing families subsist on ever-dwindling ocean harvests. Summer is almost at an end by the time Djevulsfjord makes its first substantial catch of the season: a pod of “blackfish”, or pilot whales.
As locals band together to divide up the result of the traditional grind, Benjamin and Jónas Mikkelsen skulk on the periphery, Benji towed along in the wake of his trouble-making younger brother.
District sheriff Tristan Haraldsen and his wife Elsebeth are foreigners on the west coast of Vágar, newly arrived as sea-changers from the relative metropolis of the Faroese capital, Tórshavn. Tristan’s job is to ensure the grind adheres to government regulations – a role that marks him as an outsider employed to observe while the rest of the village participates.
When the inevitable altercation occurs it’s 10-year-old Jónas who in a split-second of fury attacks, slashing Tristan with a whaling knife before fleeing with Benji onto the nearby mountain, Árnafjall.
Almost immediately the treeless moors, razor-edged crags and jagged cliffs seem to devour the pair, leaving no trace to be found by searchers.
The boys’ mother, Alba, waits in anguish. The previous year her own sibling, Kaspar, was killed by a fall from Árnafjall, and two other men either died or disappeared in unexplained circumstances at about the same time.
For such an insignificant hamlet Djevulsfjord is fast amassing an unnervingly long list of casualties.

The Island

3/5/2019

Ragnar Jónasson: Michael Joseph $32.99

ON AN isolated volcanic plateau in Iceland’s Westman Islands, surrounded by open ocean and populated ordinarily by only seabirds and sheep, four childhood friends reunite.
It’s a bittersweet time for the group, gathered now to honour a fifth member of their teenage-years posse, Katla, killed at the age of 20 exactly a decade earlier while spending a quiet weekend at her family’s wilderness cabin.
Katla’s younger brother Dagur is finally taking steps to overcome the horrendous event and the cascade of misery it triggered. The siblings’ father, accused of having murdered Katla, committed suicide while in custody and their mother, distraught, slipped further and further into malaise until Dagur had no choice but to admit her to a care home, where she continues to languish.
Now living alone, Dagur welcomes the chance to spend a few days away with Benedikt, Klara and Alexandra – three people with whom he grew up in a small satellite town on the fringe of Reykjavík.
It’s been 10 years since Inspector Hulda Hermannsdóttir lost her own daughter, Dimma, and eight years since her husband, Jón, died. Hulda’s career has stalled, leaving her trapped in a too-small flat barely paid for by a meagre mid-level police salary, and her prospects of gaining a much-needed promotion are all but non-existent.
Tragedy for the reminiscing foursome brings an unexpected change of fortune for Hulda, however, when a body is found below an intimidatingly sheer cliff near their holiday cottage.
As the senior officer on duty when the incident is logged she has first call on the case. Could this be an opportunity for Hulda to demonstrate her true ability at last?
This is the second book in Ragnar Jónasson’s Hidden Iceland trilogy: a prequel set a quarter of a century before The Darkness. The final instalment is scheduled for release next year.

The Tenth Island

11/1/2019

Diana Marcum: Amazon $30.75

NINE main islands make up the Azores; the 10th so-called “island” of the archipelago is the diaspora created by emigration after natural and political disasters ranging from volcanic eruptions to intellectual oppression and physical starvation under the rule of Portuguese dictator António de Oliveira Salazar.
Around the world communities of expatriate Azoreans thrive – nowhere more robustly than in the Central Valley of California, the fruit-and-vegetable-bowl of the US and one of the country’s most productive dairying regions thanks to farmers who originated in the Azores.
Now an autonomous region of Portugal, the Azores remain a haven for these loyal natives, many of whom fly in when possible to spend at least part of the northern summer socialising “back home”.
In this memoir Pulitzer Prize-winning journalist Diana Marcum becomes acquainted with a cross-section of Atlantic-born Portuguese-Americans while writing for a regional newspaper in the valley and for the Los Angeles Times.
A brief initial visit to the rural island of Terceira fuels Marcum’s appetite so powerfully that it is inevitable she will one day return for a much longer stay.
The resulting year in a small agricultural village on Terceira’s northern coast allows Marcum to resurrect friendships founded a decade earlier and provides rich detail for this personal portrait of an island group that manages to balance an optimistic present and future with an intense respect for a deeply traditional past.
At the same time Marcum explores issues within her own life, including unfulfilling relationships and a career that has not always followed an outwardly clear trajectory.
With irreverence and humour, sensitivity and passion, she documents the personalities, practices and predicaments that set the distinctive people of Terceira apart as they dodge bellowing bulls, lament lost love, impress with newfound Californian prosperity, savour chewy shellfish and revere crusty home-delivered bread.

Northern Light

21/12/2018

Christoffer Petersen: Aarluuk Press $24.99

CONSTABLE Hákan Sigurdsson is faced with an unpalatable choice: volunteer to join the world’s least-established multinational law enforcement task force, Polarpol, based at sea in the Arctic, or be dismissed from his position with the Icelandic police by none other than his own sister, Reykjavik’s commissioner.
To be fair, it’s not an ideal situation for Jenny Sigurdsdóttir, either. Since his marriage disintegrated her brother has been out of control – angry, disengaged, bitter and, increasingly often, at least half drunk.
For his daughter’s sake, if nothing else, Sigurdsson must refocus. Perhaps this unexpected posting will become his salvation.
At the same time, English IT genius Adrian Seabrook has a secret he’s desperate to spill. Seabrook has decided that a high-profile cybersecurity conference in Reykjavik will provide just the global audience he’s been seeking.
Not everyone is as eager as Seabrook to have the information shared, however.
As the date of his planned public revelation nears, the would-be whistleblower finds himself under attack. Assassination attempts are made; two of his closest aides are killed.
Among those with Seabrook in their sights are Byrne Cantrell and Edie Teal, a couple whose passion for each other is exceeded only by their passion for creating human carnage. Together they are one of the deadliest combinations for hire anywhere on the planet, determined to complete one last assignment before packing away their concealed weapons and settling down to a life of baby-raising bliss. The hit on Seabrook will be their spectacular finale.
Polarpol has barely been commissioned when suddenly Sigurdsson and his new colleagues – one representative each from Canada, Alaska and Russia – are called into action.
Now, Seabrook’s chances of leaving Iceland alive hinge solely on the efficacy of Polarpol’s untested team.
Northern Light is the first book in a series derived from Christoffer Petersen’s Greenland thrillers featuring Sergeant Petra ‘Piitalaat’ Jensen.

The Distant Shore

16/11/2018

Suzannah Thirlwall: $4.99 (Kindle edition)

IN ORPHIR, Orkney, it’s 1391.
Slipping away from his widowed mother after church one Sunday, Thorfinn races with his friend Thora ahead of an approaching storm across a treeless, otherwise-deserted moor, desperate to find shelter. Together they huddle in the entryway of a stone burial chamber, terrified of the fury raging outside but equally panic-stricken at the prospect of being haunted forever by the graves’ evil spirits.
The same merciless gale brings good fortune to the band of Orcadians who prowl the churning shoreline praying that fate delivers an undefended shipwreck to plunder. Their target this time is a galley from Venice laden with riches rarely seen in this subsistence settlement on the fringe of civilisation.
Years later, Finn and Thora find themselves together again, this time in the capital, Kirkwall, where the community’s ruler, a Scottish earl, is preparing to lead his people in a celebration whose character is as clearly Norse in origin as the now-teenagers’ names. Joining in the festivities is one of the few survivors of the Venetian vessel’s stranding, the youthful sailor Matteo.
Finn barely remembers his father, a fisherman who early in his son’s childhood failed to return from a routine expedition, presumably drowned at sea.
When a bedraggled stranger shows up in the revellers’ midst, however, Finn knows instantly that he is back. But where has the old man been all this time? Could a carved tablet in his odd-looking skiff hold the answer?
Soon Finn is on the move, setting sail with Matteo and the earl in a quest that will take them across the open Atlantic Ocean all the way to the land that centuries later will become Nova Scotia, Canada.
It’s there that the expeditioners’ ordeal really begins, pitting Finn and his companions not only against fierce native tribes but against themselves.

The Ice Star / In the Shadow of the Mountain

1/12/2017

Christoffer Petersen: Aarluuk Press $1.30 / $3.99 Kindle e-books

COMPLETING a pair of novels in a single calendar year is a rare achievement for any writer; having a third title in the series launched within the same 12-month period is an almost-unheard-of feat.
Yet this is precisely what Danish author Christoffer Petersen will achieve when the final instalment in his Konstabel Fenna Brongaard trilogy is published in its English translation on Christmas Eve.
Petersen’s first Greenlandic thriller, The Ice Star, opens with the torture of young Danish military special forces operative Brongaard by two foreign mercenaries in a hut in an isolated settlement far above the Arctic Circle in northeastern Greenland.
Brongaard has been on assignment with the government’s sled-dog patrol, an elite unit established to defend the sovereignty of Denmark’s biggest and most remote territory. Now, she is in the hands of a pair of unrelenting inquisitors who have executed her partner and seem determined to frame her for the sickening murder.
Brongaard’s sole chance of escaping rests with David Maratse, a local policeman in the village in which she is being held.
Set against the severity of Greenland’s harsh, icebound, arid terrain, Brongaard’s desperate scramble for survival leads from tiny Scoresbysund across thickly packed sea-ice onto a luxurious coastal expedition ship, where the passengers turn out to be every bit as formidable as the pursuers she has so far evaded on land, and to the high-rise offices of cut-throat corporate Canada.
The suspense continues in In the Shadow of the Mountain, in which the life-or-death action is set in three immensely contrasting locations: cosmopolitan Copenhagen, the Arizona desert in the US and an exploratory mine site outside Greenland’s capital, Nuuk.
The third episode in this Bourne-like Nordic adventure, the soon-to-be-released The Shaman’s House, will feature an Australian connection, linking the world’s two major islands on diametrically opposite sides of the globe.

The Killing Bay

1/9/2017

Chris Ould: Titan Books £7.99

IT’S not every day that a novel set in one of the world’s least-known archipelagos, the Faroe Islands, appears in print. Even rarer is a book that delivers both a spine-tingling plot and at the same time an insightful, informative and entertaining glimpse into the psyche of the Faroese population.
Faroes-born, British-raised policeman Jan Reyna is back in the islands for the funeral of his biological father, a man with whom Reyna has had no contact since his mother died, leaving her five-year-old son to be raised by her sister in England.
At the same time the Faroese are celebrating the start of the traditional whaling season – a time when pods are driven onto beaches to be butchered and then shared by the community. This centuries-old but gory act of self-sufficiency has caught the attention of an international animal rights group that is determined to disrupt the practice in any way it can.
When the anti-whaling protesters’ photographer, Erla Sivertsen, is found murdered, the culprit is soon identified as a local fishing-boat captain and the victim’s former boyfriend, now a married man who rekindled his relationship with Sivertsen when she returned to document the hunt and for the past few weeks has been involved with her in a clandestine affair.
It’s an open-and-shut case, according to the local law enforcement branch’s second-in-command, based in Tórshavn, the Faroes’ capital and only town of any real size.
Police detective Hjalti Hentze isn’t quite so certain, however, despite being the adulterous fisherman’s father-in-law, and enlists Reyna’s help to explore other possibilities. Inadvertently the pair opens a door on subterfuge, espionage and covert intelligence that stretches far beyond the Faroes’ own watery border.
Ould describes the landscape, culture and lifestyle of the Faroe Islands to perfection, delivering a portrait of an impressively independent society that takes care of itself when threatened.

Why Did You Lie?

13/1/2017

Yrsa Sigurdardóttir: Hachette Australia $32.99

IT IS deep winter in Iceland: a bleak, gloomy season when the region’s few hours of daylight are marred by unpredictable blizzards, roaring Arctic gales and impenetrable, all-enveloping fog.
Over the course of roughly a week in late January, in the south-west of the country a series of unexplained, grisly events unfolds.
Nói and Vala arrive home with son Tumi from a holiday in Florida to find the Americans with whom they’ve swapped houses have moved on from Reykjavík seemingly in a hurry and without leaving the family’s spare set of door keys behind.
Nína, a policewoman ostracised for daring to complain about a fellow officer, is punished by her superiors by being assigned a dreary, dirty administrative job in the station’s basement. At the same time, she is grieving the inevitable loss of her husband, investigative journalist Thröstur, who is lying brain-dead in hospital. Only a couple of weeks earlier Nína discovered Thröstur hanging from a beam in the couple’s garage.
Introverted photographer Helgi has been invited to accompany a work party winched in by helicopter to a lighthouse on the largest of the famous ‘Three Stacks’, a set of exposed sheer rock pillars jutting out of the Atlantic Ocean. His temporary companions, Heida, Ívar and Tóti, are abrupt and unwelcoming.
When deteriorating weather leaves them marooned on a surface area barely big enough to support a single-room structure, the four strangers become suspicious, distrusting, even paranoid. As they remain forced together with literally nowhere to go, dangerous tensions arise.
In the midst of it all are bodies: bodies floating, bodies dangling, bodies unaccounted for.
Adding to the confusion are cryptic messages, printed or scrawled, alleging some form of dishonesty.
Do these three apparently unrelated storylines somehow intersect? What could possibly link them – other than the shame of a long-shared lie?

Midnight Watch

13/5/2016

David Dyer: Penguin $32.99

A CRYSTAL-CLEAR, moonless night, an iceberg and not one but two ships steaming at full speed into danger: they’re as thrilling a combination of ingredients as any writer could dare to dream up.
The plot to Sydney author, literature teacher and former lawyer and merchant marine Dyer’s first novel is based not on the writer’s imagination, however, but on real life – specifically, the events surrounding the “unsinkable” Titanic’s sinking 104 years ago.
Largely fact augmented by selective fiction, The Midnight Watch revisits the world’s worst maritime disaster from a vastly different viewpoint to that taken in most retellings: that of individuals on a second, little-known cargo ship, Californian, which like Titanic finds itself on the night of April 14 1912 surrounded by ice.
However, unlike its huge English cousin, Californian cuts its engines and settles in to wait for daylight before continuing its voyage towards the US.
By the time morning dawns, Titanic is on the ocean bed and Californian is a ship divided – divided not by the captain’s decision to delay its progress but by his apparent refusal to respond to distress rockets fired from a vessel nearby. The hours, days and weeks that follow are a time of claims and counter-claims, accusations, allegations and acrimony as Californian’s officers and crew turn on each other and on the press amid a flurry of newspaper fascination with every detail of Titanic’s demise.
Told through the eyes of fictitious Boston American reporter John Steadman, this tale of mystery explores everything from maritime practice to personal conscience to US-English antipathy.
Dyer sets a newsroom-style pace that keeps readers engrossed and eager to uncover the next column centimetre of this brand-new take on one of history’s most dramatic stories as Steadman pursues an explanation for an otherwise-exemplary captain’s dismissal of Titanic’s plea for help.

Napoleon's Last Island

11/12/2015

Tom Keneally: Random House Australia $32.99

TWO hundred years and two months ago, a momentous (and, to that point, unimaginably preposterous) event occurred on a pinprick of rock in the south Atlantic Ocean: dethroned French emperor Napoléon Bonaparte – the Great Ogre, the Tyrant, who had rampaged across Europe and already escaped once from exile – was incarcerated again.
In the hands of the Royal Navy after his rout at Waterloo and forced flight from Paris, Bonaparte, then aged 47, was shipped to arguably the most isolated outpost at that time under British control. The inhabitants of tiny St Helena were simultaneously astounded, appalled and intrigued when on October 17 1815 the prize captive and his entourage were ushered onto their 17-by-10-kilometre sliver of land.
His miserable banishment there would not succeed entirely, however. Bonaparte’s spiteful jailers, intent on seeing him endure a lonely and deprived subsistence, had not foreseen the companionship he would find in an unlikely playmate and ally: 13-year-old Lucia Elizabeth ‘Betsy’ Balcombe. Caught midway between childhood and adolescence, Betsy was irreverent, quick-witted and challenging – an alluring combination to a man wearied by being fawned over endlessly and tiptoed around.
Thomas Keneally’s enthralling, educative and at-times-heartwrenching novel – part fiction, largely fact – celebrates both the youthful pranks and the profound tenderness that passed between the pair as Betsy honed her love-hate regard for the liquorice-eating, compassionate, attentive man she teasingly called “Boney” and would go on to remember always as “Our Great Friend”.
An excellent companion book, also released in recent weeks, is Sydney writer Anne Whitehead’s Betsy and the Emperor. When read as a follow-up to Keneally’s novel it verifies that many of the outlandish escapades described therein did indeed occur and expands on the Balcombe family’s later wanderings, including to Australia, where the grand-daughter of one of Betsy’s younger brothers was Dame Mabel Brookes.

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