Category: Scandinavia

Mountain Ghost

1/1/2021

Christoffer Petersen: Aarluuk Press $6.99 ebook

PEOPLE who disapear in the midst of an Arctic winter generally don’t resurface until the spring thaw begins.
When police data analyst Mats Lindström vanishes onto the slopes of Sweden’s highest mountain, Kebnekaise, leaving behind his wife Márjá and their infant son, it’s assumed he has walked off into the wilderness to commit suicide. His body will be found by hikers months from now.
In their home in Gällivare, a mining town above the Arctic Circle, Márjá isn’t convinced, however.
And when Lindström’s social media accounts are suddenly reactivated, she’s not alone in questioning the circumstances and seeking an investigation.
In Québec Inspector Etienne Gagnon recalls that around the time of his unexplained departure from Gällivare, Lindström was applying to join Polarpol, the elite multinational law-enforcement agency of which Gagnon is currently acting commander. Surely taking his own life isn’t the logical act of a man who is at the exact same time pursuing his next career move.
Determined to lead a private search for the missing policeman, the Canadian Mountie prepares to cross the Atlantic.
Meanwhile, in London Gagnon’s senior officer Constable Hákon Sigurðarsson – on leave as he struggles to recover from injuries suffered during a Polarpol operation in Iceland only days earlier – is making use of his time off duty to pursue a ‘ghost’ of his own: notorious assassin-for-hire Byrne Cantrell.
Cantrell has threatened Sigurðarsson’s sister and daughter; he cannot be allowed to remain at large.
On the run since slipping through the Polarpol net in Reykjavík, Cantrell has been exhausted by too many sleepless nights of moving constantly in his desperation to stay one step ahead of his pursuers, both official and otherwise.
This is the second instalment in Christoffer Petersen’s series of Polarpol Arctic thrillers, picking up the storyline immediately after the first novel, Northern Light, ends.

The Runes of Destiny

18/12/2020

Christina Courtenay: Headline Review $22.99

ONE minute Linnea Berger is pitching in to help her father Haakon’s boss at an archaeological dig near their family home in central Sweden, the next she’s waking up on the ground with a stranger standing over her.
Regaining consciousness after an apparent blackout, Linnea is accused of having stolen the local jarl’s silver brooch – the same brooch she had just located with the help of a metal detector and dug out of the soil.
Now she’s surrounded by a group of Swedes dressed as some sort of throwback to the Viking era. It’s clear to Linnea that these people take their role-playing seriously – very seriously.
Not only are they wearing the clothing of ninth-century Svía villagers but they’re actually speaking Old Norse too. History student Linnea is capable of holding her own linguistically but the characters of this make-believe setting are absolutely fluent.
This can’t be happening. Nobody has spoken Old Norse like this since… well, not since it evolved into the group of modern-day Scandinavian languages roughly a millennium ago.
Her captors are taking this fantasy way too far, even referring to her as their “thrall” and discussing plans to sell her in a slave market in Miklagarðr – known in Linnea’s world of 2017 as Istanbul.
Surely they don’t actually believe they’re living in Viking-Age Svíaríki, do they?
If this is real, then she’s somehow been catapulted 1200 years into the past: a past in which expeditioners from this part of Sweden routinely navigate their way across the Baltic, along the rivers of western Russia and Ukraine and across the Black Sea to the heart of the Ottoman Empire and in some cases even to Iran.
Being immersed in a Norse community such as this is every historian’s dream but for Linnea the experience she’s now having feels much more like the worst possible nightmare.

Winterkill

11/12/2020

Ragnar Jónasson: Orenda Books $6.64 ebook

INSPECTOR Ari Thór Arason’s picture-perfect Easter is about to implode.
With his former partner and their son due to fly in for a short visit, Ari Thór has been anticipating a few days of happy family downtime. Since the dissolution of the couple’s on-off relationship, Kristín and little Stefnir have been living in Sweden. Ari Thór has waited for months for this reunion with Stefnir and is determined to make the most of their too-few days together.
Woken well before dawn, however, he’s now in the early stages of opening an enquiry into the death of a teenage student whose body has been found lying in an iced-over street.
Siglufjörður is not normally a hotbed of crime – in fact, it’s anything but. In Ari Thór’s six years in this remote fishing town on the north coast of Iceland he’s had to deal with only a handful of serious incidents.
This is his first real challenge as head of the local police team of two. With his former boss now comfortably settled in Reykjavík, the newly promoted Ari Thór has only an impertinent junior officer, Ögmundur, for backup.
Leaving a potential murder investigation in Ögmundur’s inexperienced hands isn’t ideal, but if he’s to have the bonding time he desperately wants with his son, Ari Thór will need to insist that this young upstart shoulders his share of responsibility while his boss is off-duty.
But, with a blizzard looming and a past lover resurfacing, the planned break is fast becoming far more complicated than any simple long-weekend at home should be.
Winterkill is the sixth and final book in Ragnar Jónasson’s Dark Iceland series of crime thrillers, translated into English by David Warriner. It features characters and storylines established in Snowblind, Nightblind, Blackout, Rupture and Whiteout but can easily be read in isolation.

Invisible Touch

27/11/2020

Christoffer Petersen: Aarluuk Press $6.99 ebook

WITH the nightmarish killing sprees of the previous Christmas and New Year now behind her, Police Commissioner Petra ‘Piitalaat’ Jensen is looking forward to spending this festive season unwinding quietly at home in Nuuk.
In the year 2043 Petra’s Greenland is finally independent of Denmark thanks to the successful referendum of almost 12 months earlier and starting to make its own way in the world. Nuuk is a peaceful, well-balanced, multicultural city with its distinct Dutch, Chinese and US quarters living in harmony to forge a prosperous and progressive future for the country.
There’s cause for much celebration for members of the Greenlandic police in particular, operating for the first time as a fully self-determining force answerable to no-one beyond its own borders.
Petra’s assistant Aron is recovering from injuries suffered in the course of intercepting a former colleague bent on disrupting Greenland’s self-government vote and Petra is once more contemplating the possibility of taking early retirement. Since the death of her long-time partner Constable David Maratse she hasn’t had her usual passion for enforcing the law. A low-key December is exactly what she needs as she weighs up her options.
Someone has other plans, however. Someone – it will be up to Petra’s officers to discover who – sees Advent not as a time of preparation, anticipation and relaxation but as an opportunity to settle old scores.
As the long dark nights envelop Nuuk, suddenly the run-up to Christmas starts to seem eerily familiar for Petra and her team.
Invisible Touch is the third in Christoffer Petersen’s series of Dark Advent literary ‘calendars’: stories written in distinct parts designed to be enjoyed one chapter at a time over in this case the first 24 days of December, allowing the reader to experience the action as it unfolds in Nuuk in real time.

Echoes of the Runes

4/9/2020

Christina Courtenay: Hachette Australia $22.99

CURVING possessively around the index finger of Mia Maddox’s right hand, the delicate serpent-head ring is exquisite. As an heirloom inherited from her late grandmother Elin it has special significance for British Museum conservator Mia.
The ring in the display case is equally impressive, if significantly bigger; in fact, the size disparity notwithstanding, it is all but identical. This one, however, is part of an exhibition of Viking-era jewellery in Stockholm, where Swedish-born Mia is spending a few hours before attending Gran’s funeral.
As she stares in astonishment at the thousand-year-old twin bands of gold, Mia is interrupted by a stranger who has also noted the similarity.
Archaeologist Haakon Berger’s head is swirling with questions. Is this Englishwoman wearing an unauthorised replica, or is it an unreported – and therefore stolen – piece of Norse heritage?
Inspired to try to trace the origins of Mia’s ring, the pair decide to embark on an excavation of her family’s land on the shore of Lake Mälaren, an area known for its rich seafarer roots.
The physical signs suggest this could have been the site of a settlement presided over by a chieftain: a man powerful enough to have raided kingdoms far afield in search of precious metals and human slaves.
Unbeknown to the research team, one such local jarl, Haukr Erlendrsson, did indeed set out a-viking from this waterfront stronghold, returning many weeks later with a valuable hostage among his spoils. As the sister of a high-ranking Welshman, Ceridwen – Ceri – was destined to spend winter in the Norse community before being ransomed by her people.
The further Mia and Haakon investigate, the more clues to Haukr and Ceri’s long-ago presence emerge from the soil.
But, as Mia becomes increasingly invested in uncovering the stories of these past generations, her life in London recedes in importance. Could her future lie in rural Sweden instead?

Dragon in the Snow

21/8/2020

Lexie Conyngham: The Kellas Cat Press £12.99

FEW things of note ever happen on quiet little Shapinsay, one of the lesser islands of the Orkney group off the north-eastern tip of Scotland, known for the quality of its sheep and little else.
This lack of genuine news doesn’t prevent Beinir, the community’s designated scribe, inundating Earl Thorfinn with detailed accounts of Shapinsay’s trivial comings and goings, however. As one of the few fully literate men in Orkney, Beinir is exceedingly proud of his ability to present handwritten parchment records to his master at the Norse stronghold on Birsay.
Now Beinir is about to have something of true interest occur in his otherwise-routine life: Thorfinn has despatched the widow Sigrid, a renowned wool-worker, to Shapinsay on a reconnaissance mission. Her assignment is to weigh up whether she can see herself settling there as Beinir’s wife.
The timing of Sigrid’s arrival is unfortunate: no sooner has she unpacked in her temporary residence than a neighbour’s longhouse catches alight.
Fire is one of the worst things that can happen to an 11th-century dwelling, constructed from timber clad with strips of turf and fitted out with wooden furniture, furs and straw. So careful are householders in Orkney that a single blaze is unusual; that a second hut should burn less than 24 hours later is unthinkable.
And as two bodies are being pulled from the smouldering remains, assuming themselves to be under attack, the surviving residents do not hesitate to trigger the signal beacon that summons help from Birsay – help in this instance in the form of Sigrid’s childhood friend Ketil, newly engaged without his consent to Thorfinn’s only daughter, Asgerdr, and thankful for the hastily forced separation.
What – or who – could be responsible for such a rash of ill-luck in a small out-of-the-way hamlet where the half-dozen households are all closely inter-linked?

The Mist

5/6/2020

Ragnar Jónasson: Penguin $12.99 Kindle e-book

CHRISTMAS in Iceland is traditionally a season for giving new-release novels as presents, reading by candlelight and dining on smoked local lamb. It is not a season for finding uninvited visitors on one’s snow-covered doorstep.
When an unfamiliar man arrives at Erla and Einar Einarsson’s farm near Höfn in the east of the country, the couple feel obliged to offer him shelter. A blizzard is brewing and he’s on foot, having lost his way while out shooting ptarmigan with friends from Reykjavík – or so he says. His story is weak, however: he’s not carrying a gun, after all, and he claims not to have noticed their daughter Anna’s house as he approached the Einarsson property even though he followed the main road directly past it.
At the western extremity of the island, Hulda Hermannsdóttir is struggling to corral her own family into celebrating appropriately this year.
Husband Jón refuses to take teenager Dimma’s withdrawn, reclusive behaviour seriously, despite Hulda demanding that they consult a psychologist. It’s just typical adolescence, Jón insists. They’re yet to choose and decorate a Christmas tree, the last few gifts still haven’t been bought and the prospect of having her mother visit is gnawing at Hulda. What should be a happy, peaceful period is anything but.
Away from her chaotic homelife, a day in the office is equally excruciating for police officer Hulda. A young woman has been missing for months and her parents are frantic. Returning a phonecall from the girl’s family is right at the top of Hulda’s to-do list.
The third and final instalment in Jónasson’s Hidden Iceland series (also known as ‘the Hulda triology’), The Mist precedes both The Darkness and The Island chronologically in the saga of Hulda and her family so elaborates on situations only hinted at in the first two releases.

Niche Writing

27/3/2020

Christoffer Petersen: Aarluuk Press $7.99 Kindle e-book

WRITING being the solitary pursuit that it is, few readers have the chance to truly explore the steps through which their favourite books are born.
Challenging himself to lay bare his literary process does not intimidate Christoffer Petersen, however.
In recent years Petersen – a Brit whose chosen pen name is quintessentially Danish – has produced dozens of novels, novellas and short stories and at the same time established for this stable its own ‘Arctic noir’ niche.
Not only has Petersen created these stories, he has also doubled as the independent publisher of both hardcopy and electronic editions through Aarluuk Press. Most recently he has taken his involvement to the extreme by adding an e-book ordering portal to his website, enabling him to control the all-important sales and distribution.
Now, in a guide intended for “emerging authors, amateur writers and readers”, Petersen explores his chosen pathway in a step-by-step analysis of what has worked, and why, along his journey to becoming self-sufficient.
Characters such as David Maratse, Petra ‘Piitalaat’ Jensen, Fenna Brongaard, Freja Hansen and Jon Østergård are the human face of the battle against crime in Petersen’s Greenland and Denmark, occasionally venturing further afield to pursue a suspect in the US, Canada, the UK or Iceland. His own experiences in and understanding of these locations fuels descriptions with precisely the degree of detail that’s needed to engage the public and generate enticing backdrops to his action sequences.
Petersen’s ‘how to’ sections are grouped into two clear themes: ‘niche’ and ‘writing’ – the who, what, why, where, when and how of finding, defining, developing and populating a niche with original content that will sell, and of then sitting down at a desk to generate this. Presented in manageable, bite-sized chapters, his advice is both practical and motivational, delivering sound guidelines to drive planning and productivity.

Mourning in Malmö

17/1/2020

Torquil MacLeod: Torquil MacLeod Books $3.15 (Kindle e-book)

EIGHT hundred and fifty-two people died when the Baltic ferry MS Estonia sank just after 1am on September 28 1994.
It remains the deadliest peacetime shipping disaster ever in European waters and the second-worst involving a European-flagged vessel after RMS Titanic’s loss more than 80 years earlier.
In the midst of a ferocious storm, roughly midway between Tallinn, Estonia, and Stockholm, Sweden, the ferry shuddered violently, then began taking on water and quickly capsized. The wreck was never salvaged and most of the bodies now lie trapped on the sea floor.
Conspiracy theories abound. With the former Eastern Bloc disintegrating, in the early 1990s cross-border smuggling of people, technology and equipment was rife. Is it possible something or someone on Estonia that night could not be allowed to reach land?
Among those on board was Anita Sundström’s father, Jens Ullman. Now a police inspector, Sundström has never fully understood the circumstances surrounding her papa’s death. The surfacing of a tenuous link between Estonia and a pair of baffling attacks in Malmö, southern Sweden, reignites her curiosity.
Markus Jolis has attempted to murder his elderly wife with a kitchen knife and then reported his own crime to the authorities; he has dementia, however, and can’t so much as recall – let alone explain – this bizarre behaviour.
In the same city, businessman Iqbal Nawaz has been found bludgeoned on the periphery of a sports ground, apparently overpowered while jogging. The forensics team reports that the weapon used is wooden and ridged but so far nothing of this type has been found.
Against a backdrop of cross-cultural distrust and entrenched prejudice, Sundström pushes the boundaries of her sometimes-conflicting roles as a senior officer, professional colleague, long-distance girlfriend and doting grandmother. As she juggles her priorities, one misstep could cost Sundström much more than just a figurative rap over the knuckles at work.

The Calendar Man | The Twelfth Night

29/11/2019

Christoffer Petersen: Aarluuk Press $5.99 each Kindle e-books

DANISH-BASED author Christoffer Petersen’s Christmas offering to fans of Arctic noir is a pair of seasonally themed novellas designed to be enjoyed progressively across the Advent–New Year period.
The action in the first of the two releases, The Calendar Man, begins on December 1 and continues in bite-sized chapters that can be read in less than 15 minutes per day throughout the lead-up to Christmas, culminating on Christmas Eve, when Scandinavians (including Greenlanders) celebrate by sharing meals and opening gifts together. It is the literary equivalent of the 24-part Julekalendere programs broadcast on television every year and the internationally popular windowed wall calendars.
The second picks up the storyline on January 5 and runs for 48 hours to end early on the morning immediately after Twelfth Night, or Mitaartut.
Both feature a cast of central characters introduced in Petersen’s previous series, set in the same location a quarter of a century earlier: police colleagues Petra ‘Piitalaat’ Jensen, Gaba Alatak, Aqqa Danielsen and Atii Napa and politician’s daughter Pipaluk Uutaaq from Greenland Crime, and Iiluuna Mattikalaat, a troubled child from Arctic Short Stories.
Even in 2042 serious crime is rare in Greenland – so rare that when an Advent calendar is found on a mutilated body in the capital, Nuuk, Commissioner Jensen is recalled to duty despite being on extended leave at the time.
First Minister Uutaaq is taking no chances with law and order in her rapidly developing city. A vote on independence from King Frederik’s Denmark is looming and nothing – not even a cryptic and very public corpse – can be allowed to derail the democratic process.
Juxtaposing the elements of a contemporary crime thriller with the warmth of traditional festivities in a remote, otherworldly setting, Petersen serves up a glimpse into a culture as exotic and mysterious to outsiders as it is rich and welcoming.

Blackout Ingenue

27/9/2019

Christoffer Petersen: Aarluuk Press $24

DETECTIVE Freja Hansen’s private life is anything but easy.
Her husband Adam – a former member of Denmark’s riot police – is drug-addicted and banished from the home she shares with their daughter Ayoe and the little girl’s grandfather Esben, and Freja herself is still recovering from a knife wound suffered during what should have been a leisurely cross-country run through the Scottish Highlands. Complicating things further, Adam is now employed by a powerful businessman who years ago tried to prey on Freja.
Professionally, on the other hand, she is very much in control. As a senior officer stationed at Sønderborg in central Denmark, Freja has a challenging and fulfilling position doing meaningful work. At least that much is on track.
When billionaire theatre patron Jeanne Fønss is killed in a bizarre coincidence on the opening night of a play, it appears to be nothing more than a straight-forward case of a frail elderly woman having been in the wrong place at the wrong time. After all, having one’s neck broken when a leading lady plummets into the audience could hardly be suspicious, especially when a stagehand admits to having been with the now-dead actress just before she overbalanced from a gantry 16 metres above the plush velvet seats. This certainly doesn’t require a detective of Freja’s ability.
Why she has been assigned this new investigation is therefore baffling. Is her boss – apparently under the misapprehension that Freja is yet to recover emotionally from her stabbing – determined to exclude her from real policing?
Yet, despite the situation’s apparent simplicity, as Freja and Sergeant Mik Kristensen compare statements, something doesn’t seem right. So consistent are the accounts that surely the confession must have been rehearsed – but why?
Blackout Ingenue is the first full-length novel in a new series introduced by the short story The Fell Runner.

A Wolf at the Gate

6/9/2019

Lexie Conyngham: The Kellas Cat Press $5.44 Kindle e-book

BARELY have Ketil Gunnarson and the coastal raiding party he’s helping to lead landed on English soil when a stranger appears at their riverside camp with a message from the remote Norse settlement Orkney. Earl Thorfinn, no less, is requesting Ketil’s immediate return to the islands.
Struggling to cling to power in the midst of would-be usurpers’ relentless attacks against him, Thorfinn has welcomed the appearance of an influential religious delegation from Colonia in Saxony – a northwestern region of continental Europe that nearly a thousand years later will be part of Germany.
Ketil’s arrival back at the earl’s stronghold in Birsay a few days later is ill-timed, however.
With his Icelandic offsider, Lambi, he has scarcely had time to resume feasting in the familiar hall of Thorfinn and his wife Ingibjorg when a death is reported. A neighbour of Ketil’s childhood friend Sigrid has been found dead – and the presence of an axe protruding from his skill suggests it wasn’t accidental.
Suspicion is cast in a multitude of directions, not least of all at Lambi: a foreigner with an unknown past who has been accused of stealing a valuable drinking cup from a fellow Norseman.
Further complicating an already-uncomfortable situation, one of the Saxon visitors is an acquaintance Ketil had been hoping to avoid seeing again.
In the second instalment of her Orkneyinga Murders series, Scottish author Lexie Conyngham overlays a cast of complex characters on the real-life backdrop of 11th-century Orkney as described in detail in one of Iceland’s best known Old Norse sagas.
Both Thorfinn and Ingibjorg are documented historical figures, first introduced to Conyngham’s readers in Tomb for an Eagle, and the tumbledown-stone remains of their quarters and wider community at Birsay can still be visited, injecting an added dash of factual fascination to this fast-moving mystery.

A Nearly Normal Family

16/8/2019

MT Edvardsson: Macmillan $29.99

“STELLA Sandell is under reasonable suspicion for murder.”
They’re the words no parent contemplates ever having to hear: that courtroom proclamation by a stranger that a beloved child is facing one of the most serious charges imaginable.
For pastor Adam and criminal lawyer Ulrika, life in the southern Swedish university city of Lund has always been comfortingly unremarkable. White-collar professionals with an upper-class income and an easy-going, stable suburban lifestyle, the Sandells holiday abroad in winter, dine out regularly at their local Italian restaurant and enjoy cycling together along Lund’s cobble-stoned streets.
Stella has just completed her final year of high school, an occasionally tempestuous teenager employed part-time as a sales assistant at H&M as she saves for a long-awaited gap year in Asia.
Suddenly, though, over the course of only a few days the family’s world begins to unravel.
It starts with a missed work shift here, an early-hours arrival home from an evening out with her best friend there. Then Stella lists her brand-new pink Vespa scooter – an 18th-birthday gift from her mother and father – for sale online. This is a side of their daughter Adam and Ulrika don’t recognise.
But worse is to come. A phonecall late one Saturday night informs the couple that their little girl is being held in police custody, accused of having stabbed a prominent local businessman – the son of a well-known law professor, no less.
Surely Stella is no killer? Adam and Ulrika can’t conceive of a future with her in prison.
Yet unanswered questions begin to pile up, not least of all surrounding the fate of a piece of potential evidence: an apparently blood-spattered favourite shirt.
It’s a moral dilemma for the normally upstanding Sandells: exactly how far will the average person go, and what will they overlook, to defend someone they love?

Glass Woman

19/7/2019

Caroline Lea: Michael Joseph $29.99

IN DEEPLY religious 1686 it doesn’t take much to raise the suspicions of fearful Icelanders.
Simply being literate is enough to see a woman branded a witch and sentenced to die in the official drowning pool at Thingvellir, where Iceland’s parliament meets in summer; being caught reading runestones, mentioning the island’s troll-like huldufólk or referencing the old Icelandic sagas is punishable with even more brutal treatment.
After her bishop father dies, 25-year-old Rósa agrees in desperation to become the second wife of a stranger, Jón Eiríksson, the chieftain of a community many days’ ride to the northwest of her childhood home. After all, Jón will support her mother, Sigridúr, sparing the ailing widow an ordeal of starvation and freezing – the inevitable outcome for anyone without a provider to support them.
Jón’s original bride is dead, Rósa knows, overcome by a sudden fever, leaving him childless.
It will be Rósa’s duty to cook, clean, mend, spin, salt and dry, to help with farmwork and fishing, and to produce sons to carry on her husband’s legacy. Jón, for his part, will ensure Sigridúr receives a reliable supply of peat blocks and meat.
Although reluctant to leave her lifelong friend Páll, with no viable alternative Rósa arrives in the seaside settlement of Stykkishólmur willing to do her best not to displease her benefactor.
She quickly finds life is not as straightforward as she had hoped it would be, however.
Jón is absent from from before dawn until well after dusk day after day, leaving Rósa alone with orders not to speak to his subjects, and clearly prefers to spend time with his assistant, Pétur, rather than Rósa.
When mysterious noises and a feeling of being watched are added to the mix, Rósa’s nerves are soon every bit as fragile as the tiny glass figurine she keeps buried her pocket.

Devil's Fjord

31/5/2019

Davie Hewson: Severn House £20.99

WHEN a novel opens with the words “He was on the roof of their little cottage mowing the thick and umber turf” it’s safe to assume the story’s not set in London, New York or Tokyo.
Lawn-clad houses are commonplace in the Faroe Islands, however, adding a special dash of other-worldliness to the work of a crime writer seeking an exotic backdrop for an equally unpredictable plot.
In fictitious Djevulsfjord on the real-life island of Vágar, the community’s tightly intertwined fishing families subsist on ever-dwindling ocean harvests. Summer is almost at an end by the time Djevulsfjord makes its first substantial catch of the season: a pod of “blackfish”, or pilot whales.
As locals band together to divide up the result of the traditional grind, Benjamin and Jónas Mikkelsen skulk on the periphery, Benji towed along in the wake of his trouble-making younger brother.
District sheriff Tristan Haraldsen and his wife Elsebeth are foreigners on the west coast of Vágar, newly arrived as sea-changers from the relative metropolis of the Faroese capital, Tórshavn. Tristan’s job is to ensure the grind adheres to government regulations – a role that marks him as an outsider employed to observe while the rest of the village participates.
When the inevitable altercation occurs it’s 10-year-old Jónas who in a split-second of fury attacks, slashing Tristan with a whaling knife before fleeing with Benji onto the nearby mountain, Árnafjall.
Almost immediately the treeless moors, razor-edged crags and jagged cliffs seem to devour the pair, leaving no trace to be found by searchers.
The boys’ mother, Alba, waits in anguish. The previous year her own sibling, Kaspar, was killed by a fall from Árnafjall, and two other men either died or disappeared in unexplained circumstances at about the same time.
For such an insignificant hamlet Djevulsfjord is fast amassing an unnervingly long list of casualties.

The Island

3/5/2019

Ragnar Jónasson: Michael Joseph $32.99

ON AN isolated volcanic plateau in Iceland’s Westman Islands, surrounded by open ocean and populated ordinarily by only seabirds and sheep, four childhood friends reunite.
It’s a bittersweet time for the group, gathered now to honour a fifth member of their teenage-years posse, Katla, killed at the age of 20 exactly a decade earlier while spending a quiet weekend at her family’s wilderness cabin.
Katla’s younger brother Dagur is finally taking steps to overcome the horrendous event and the cascade of misery it triggered. The siblings’ father, accused of having murdered Katla, committed suicide while in custody and their mother, distraught, slipped further and further into malaise until Dagur had no choice but to admit her to a care home, where she continues to languish.
Now living alone, Dagur welcomes the chance to spend a few days away with Benedikt, Klara and Alexandra – three people with whom he grew up in a small satellite town on the fringe of Reykjavík.
It’s been 10 years since Inspector Hulda Hermannsdóttir lost her own daughter, Dimma, and eight years since her husband, Jón, died. Hulda’s career has stalled, leaving her trapped in a too-small flat barely paid for by a meagre mid-level police salary, and her prospects of gaining a much-needed promotion are all but non-existent.
Tragedy for the reminiscing foursome brings an unexpected change of fortune for Hulda, however, when a body is found below an intimidatingly sheer cliff near their holiday cottage.
As the senior officer on duty when the incident is logged she has first call on the case. Could this be an opportunity for Hulda to demonstrate her true ability at last?
This is the second book in Ragnar Jónasson’s Hidden Iceland trilogy: a prequel set a quarter of a century before The Darkness. The final instalment is scheduled for release next year.

Cold Bones

5/4/2019

David Mark: Mullholand Books $45.00 hardback or $19.99 Kindle

HULL is freezing – literally. Straddling the muddy estuary of the River Humber in northern England, this once-rich cod fishing port is experiencing its coldest winter in years.
At first it is hardly surprising that an elderly woman living alone is found dead, apparently having been unable to save herself after losing her balance in a bathful of rapidly cooling water.
Detective Sergeant Aector ‘Hector’ McAvoy quickly becomes suspicious, however. Small clues scattered around the site suggest at least one other person was present either during or immediately after former social worker Enid Chappell’s drowning.
More than 1600km to the north-west, McAvoy’s superior, Detective Superintendent Trish Pharaoh, is on the isolated, wind-ravaged Skagi Peninsula in Iceland investigating the discovery of another body: that of a journalist believed to have a tenuous connection with Hull.
Not too many decades earlier the two locations were waging an unofficial war as newly independent Iceland turned its gunships against the English trawlers that threatened to strip its territorial waters of irreplaceable fish stocks. Now Icelandic police are being pressured to co-operate with Pharaoh in a covert alliance.
With his attempts to uncover a potential motive for the murder of Chappell stagnating McAvoy finds his attention diverted by a series of gruesome attacks on elderly fishermen throughout the city – longtime crewmates who once served together on one of Hull’s most tragically infamous cod boats. Who could possibly have cause to harm feeble old men who by all accounts have been working to create a public tribute to the industry that for generations supported thousands of Hull residents?
A failed bid to uncover the identity of two corpses washed ashore in the Russian Arctic is yet another frustration for McAvoy’s colleagues at Humberside Police.
It seems progress has stalled on every front – and time is running short as powerful people demand results.

The Department of Sensitive Crimes

8/3/2019

Alexander McCall Smith: Penguin Random House US$16.00

SURELY any incident demanding police intervention is sensitive, Detective Ulf Varg’s fellow law-enforcement officers reason. This much is self-evident. Why, then, should a select few cases be singled out to receive special attention from an independent team within the force?
This is the question that shadows Varg as he battles to focus his mind in equal measures clearly on the job and firmly off his attractive married colleague Anna. The two are at the core of ‘sensitive’ investigations in Malmö, Sweden’s southernmost city and home to more than just the occasional curious offence.
Ulf Varg – a man whose given and family names mean ‘wolf’ ‘wolf’ in Swedish and Danish respectively – heads a department tasked with investigating the unexpected, the unorthodox and the just plain kooky – and none is more left-field than the latest baffler: the stabbing of a market stallholder in the back of one knee. Stabbing, yes – but midway down the leg? What sort of criminal would stoop – literally – to do such a nonsensical thing?
Solving this mystery will require Varg and his colleagues to set aside conventional thinking.
For Varg this is hardly a challenge; he is, after all, the owner of Sweden’s first and only lip-reading dog.
However, throw in commercial sabotage on the back of infidelity and the disappearance of an imaginary boyfriend and the workload for Varg and his new offsider Blomquist suddenly starts to look all-consuming.
From the king of lighthearted quirk comes this debut title in a new series of feel-good fun and frivolity, defined by author McCall Smith himself as being the antithesis of deep, dark, brooding Nordic noir: a new genre labelled ‘Nordic blanc’.
The Department of Sensitive Crimes contains a preview of the planned follow-up, The Talented Mr Varg. Two novellas published exclusively as Kindle editions – The Strange Case of the Moderate Extremists and Varg in Love – are prequels.

Tomb for an Eagle

1/2/2019

Lexie Conyngham: The Kellas Cat Press $18.61 (paperback) or $1.41 (ebook)

NEARLY a thousand years after his death, Thorfinn Sigurdarson – aka Thorfinn the Mighty, Earl of Orkney – and his wife Ingiborg have been resurrected from their Viking graves.
One of the greatest power-couples of the 11th century is at the centre of historical novelist Lexie Conyngham’s new work of heavily fact-based fiction.
Thorfinn rules over Orkney from his base at Birsay on the north-western tip of the archipelago’s biggest island. It’s a turbulent time for Thorfinn, among the earliest Norse Christians and a man who has completed a personal pilgrimage to Rome; a rival earl, his nephew Rognvald, has been ambushed and slaughtered on Thorfinn’s orders and Rognvald’s surviving loyalists are percolating trouble. The settlement at Birsay – the de facto Orcadian capital – is on alert.
When widowed woolworker Sigrid finds the corpse of a stranger hidden under rocks in a nearby gully a quest to unearth the victim’s identity begins. Where had he come from, and when and why was he killed?
Ketil Gunnarson, formerly of Heithabyr in Denmark and more recently of Norway, has just landed in Orkney claiming to be a trader of carved wooden drinking cups – a rare and precious commodity in a region without trees.
It soon emerges, however, that Ketil – a childhood acquaintance of Sigrid’s – is not a merchant at all but one of Thorfinn’s most trusted assassins, hired for the attack on Rognvald and now back in Orkney many months later on a mission of his own.
Tomb for an Eagle fleshes out accounts of actual people and events recorded in Orkneyinga Saga, a section of the world-famous Icelandic chronicle written on parchment in the late 1300s, Flateyjarbók.
This is the first title in Conyngham’s planned Orkneyinga Murder series. The second book, A Wolf at the Gate, is scheduled for release later in the year.

Liv

18/1/2019

Mikaela Bley: Scribe $32.99

FOR Swedish TV journalist Ellen Tamm, a few days at her family’s estate on a relatively isolated island about an hour’s drive outside Stockholm is supposed to form part of an emotional rehabilitation plan.
Crime reporter Tamm is still reeling from the after-effects of her entanglement in the disappearance and death of a young girl, Lycke (the subject and title of author Mikaela Bley’s debut novel), in the city earlier in the year and that case’s reawakening of memories of her own twin sister’s drowning when they were children.
For the past several months has been unable to work. In fact, she is barely holding her life together, leaving the rent on her apartment unpaid, eating poorly if at all and closing herself off from her friends and colleagues.
On her way to the island, however, Tamm drives straight into a tiny satellite community in upheaval. A woman’s body has been found in a vehicle that morning and police have an area of the roadway cordoned off.
Should Tamm continue on as scheduled to spend the allocated time being fussed over by her controlling mother, or should she instead give in to her professional instinct and start digging for information on this new victim? She is, after all, the first member of the media to have arrived on the scene, even if her presence there is due to sheer chance.
As details of motorist Liv’s identity are unravelled Tamm discovers a world of anti-social behaviour, unconventional relationships, public deception and personal betrayal that pushes her ever-deeper into the darkness of self-doubt, mistrust and fear. Has she made an error of judgement from which she will never be able to recover this time?
A psychological thriller with deeply disturbing themes at its heart, Liv inhabits the unseemly underbelly of the outwardly picture-perfect existence of middle-class Swedes.

Northern Light

21/12/2018

Christoffer Petersen: Aarluuk Press $24.99

CONSTABLE Hákan Sigurdsson is faced with an unpalatable choice: volunteer to join the world’s least-established multinational law enforcement task force, Polarpol, based at sea in the Arctic, or be dismissed from his position with the Icelandic police by none other than his own sister, Reykjavik’s commissioner.
To be fair, it’s not an ideal situation for Jenny Sigurdsdóttir, either. Since his marriage disintegrated her brother has been out of control – angry, disengaged, bitter and, increasingly often, at least half drunk.
For his daughter’s sake, if nothing else, Sigurdsson must refocus. Perhaps this unexpected posting will become his salvation.
At the same time, English IT genius Adrian Seabrook has a secret he’s desperate to spill. Seabrook has decided that a high-profile cybersecurity conference in Reykjavik will provide just the global audience he’s been seeking.
Not everyone is as eager as Seabrook to have the information shared, however.
As the date of his planned public revelation nears, the would-be whistleblower finds himself under attack. Assassination attempts are made; two of his closest aides are killed.
Among those with Seabrook in their sights are Byrne Cantrell and Edie Teal, a couple whose passion for each other is exceeded only by their passion for creating human carnage. Together they are one of the deadliest combinations for hire anywhere on the planet, determined to complete one last assignment before packing away their concealed weapons and settling down to a life of baby-raising bliss. The hit on Seabrook will be their spectacular finale.
Polarpol has barely been commissioned when suddenly Sigurdsson and his new colleagues – one representative each from Canada, Alaska and Russia – are called into action.
Now, Seabrook’s chances of leaving Iceland alive hinge solely on the efficacy of Polarpol’s untested team.
Northern Light is the first book in a series derived from Christoffer Petersen’s Greenland thrillers featuring Sergeant Petra ‘Piitalaat’ Jensen.

My Polar Dream

23/11/2018

Jade Hameister: Macmillan Australia, $29.99

JADE Hameister has always been an exceptional achiever.
Aged six she walked to the summit of Mt Kosciuszko.
At 12 she convinced her parents to take her on a family hike through the Himalayas to Everest Base Camp.
The following year, at 13 Hameister set her sights on reaching the South Pole.
Only one obstacle stood in her way: the Hameisters’ chosen guide insisted she be at least 16 years old before attempting such a gruelling expedition.
Undaunted, she decided to kill time with a couple of relatively straightforward warm-up treks: to the North Pole and across the Greenland icecap.
Never having skied, she prepared with a few days’ training in New Zealand’s South Island, then set out from the Svalbard Archipelago in Norway determined to become the youngest person ever to ski entirely unsupported and unassisted from outside the final degree of latitude to the most northerly point in the world.
Along the way her youthful ambition, inspiring teenage message and passionate environmental focus caught the attention of both the National Geographic Society (which engaged a videographer to accompany Hameister and her father on each of their three increasingly taxing challenges) and the team behind the global phenomenon of TEDx talks.
Those same characteristics quickly drew the ire of a cohort of anonymous online trolls, however, who used the phrase “Make me a sandwich” to suggest Hameister’s true purpose as a woman should be to wait on men.
Her reply – along with the nearly three years’ worth of agony, frustration, ecstasy and relief that preceded it as she completed her sub-zero hat-trick – is recounted in Hameister’s own voice, from the joy of opening special letters written by her closest school friends to the physical torture of hauling twice her own bodyweight in a sled over jagged ridges of ice.

The Sixteen Trees of the Somme

12/1/2018

Lars Mytting: Hachette $32.99

IF THERE'S one dominant theme running through Edvard Hirifjell’s life it’s undoubtedly ‘blanks’: the gaping memory blanks that have always pockmarked his early-childhood recollections and now, unexpectedly, the solid timber blanks from which the highest-quality shotgun stocks are carved.
For 20-something years Edvard has known only a quiet, semi-reclusive existence on a potato farm in an agricultural hamlet near Lillehammer in southern Norway. When not tending the crop with his bestefar (grandfather) Sverre he fills his meagre free time with photography and fishing. He has few friends but is not particularly lonely.
Theirs is a typical rural lifestyle in all but one respect: Edvard is an orphan, having lost his parents in an unsolved incident almost 2000km removed from their property at Saksum when he was just a toddler.
When his home circumstances change suddenly Edvard begins a journey of yearning that stretches first to the wind-lashed Shetland Islands and then to the battlefields of northern France.
In treeless Shetland he unearths a clue that tantalises with its potential to explain the mystery of his father and mother’s deaths and at the same time raises the possibility of a family inheritance intertwined with a fabled stand of 16 centuries-old walnut trees warped by World War I combat into a near-priceless resource.
The young man who leaves behind the paddocks and sheds of Saksum to search for crucial pointers in Shetland soon finds himself heading south due, with the remnant woods of Authuille in the Somme as his ultimate destination.
Weaving together the carefully researched details of actual events and locations with an engaging imagined plot, this novel is rich with the history of two world wars and the intimacies of Nordic culture both in Norway itself and across the scattered former Viking settlements of modern-day Scotland’s most remote island group.

Whiteout

21/12/2017

Ragnar Jónasson: Orenda Books $19.99

ICELAND publishes more books per capita than any other country on Earth.
In December the population of 330,000 Icelandic-speakers observes a tradition known as the ‘Christmas book flood’: a full year’s worth of new titles is launched in a roughly week-long deluge, just in time to be wrapped (accompanied by a block of the finest-quality chocolate each) and gifted on Christmas Eve. Icelanders typically then spend the rest of that night snuggled up reading and snacking.
It’s little wonder Iceland’s literature is among some of the sharpest, most beautifully crafted anywhere in the world, influenced by an awe-inspiring, hauntingly bleak landscape, a small-town national psyche and a pervasive, disorienting mid-winter gloom.
Set in the immediate lead-up to Christmas, Whiteout is complete with its own reference to the customary Yuletide exchange of printed matter.
The fifth title in Jónasson’s Dark Iceland series, it continues the story of regional detective Ari Thór Arason and his police-force superior Tómas , now based in the capital, Reykjavík.
Ari Thór’s plans to spend the holiday season at home in Siglufjörður are disrupted by the discovery of a young woman’s body at the base of a cliff at Kálfshamarsvík on Iceland’s remote northwest coastline.
It seems she has jumped – or has she?
In fact, Ásta’s is the third apparent suicide to have occurred in almost-identically inexplicable circumstances – first her mother’s, then her younger sister’s in the girls’ childhood more than 20 years earlier, and now her own during an uncharacteristic, impulsive visit to the lighthouse her father once managed.
Suspicion sweeps across the elderly caretakers of the estate, housekeeper Thóra and her brother Óskar, and its businessman-owner Reynir and his neighbour and part-time farm worker Arnór.
Given the setting’s extreme isolation, this latest death must have involved at least one of these four people – but which one, and why?

Fatal Crossing

15/12/2017

Lone Theils: Echo $29.99

STILL deeply shell-shocked in the wake of interviewing a genocidal Rwandan teacher, journalist Nora Sand decides to distract herself from reality with a couple of minutes of retail therapy. In the sleepy surroundings of a small seaside village it’s impossible to know the ramifications her impulsive decision to buy a battered old leather suitcase will have.
As Danish news magazine Globalt’s UK correspondent, Sand is on assignment with a photographer-friend on the south coast of England when she makes her purchase.
Much later, back home in her inner-city apartment in London, she discovers a bundle of Polaroid photographs secreted behind its frayed lining.
One in particular catches her attention. Its subjects are two teenagers standing in front of a sign that reads ‘Car Deck 2’ – but the language isn’t English; it’s Danish.
When Sand recognises the taller girl as one of two orphans who vanished in the mid 1980s from a cross-channel ferry from Denmark while on an outing with their carers, her professional curiosity and investigative instincts are piqued.
Attempting to piece together the background to Lisbeth and Lulu’s still-unsolved disappearance leads Sand into the law-enforcement world of her highschool classmate Andreas Jansson, a fellow Dane now based temporarily in London while studying anti-terrorism with the British police at New Scotland Yard. Complicating the situation, Sand and Jansson have never resolved an awkward conversation that scarred their once-rock-solid bond years earlier.
When the name of infamous UK serial killer William ‘Bill Hix’ Hickley surfaces in Sand’s research, the importance of retracing the Danish girls’ last known movements takes on renewed urgency.
Could this maniac – a man who kept the tongues of his female victims as trophies – have somehow crossed paths with Lisbeth and Lulu during their travels abroad, or might they instead have fallen victim to an unknown accomplice of Hickley’s, or perhaps a copycat?

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